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Sheikh evaluation of Gu Kai not very high, the second person care products on the third . reviews: package before the pregnancy, the ancient and modern independence. , the concept of God when tasting the artist, still often used. and the Comments Zhang Mo, Xun Xu said: Ottawa tickets are described as subtle. so painting can not be bound by the object, but should take the image out. In the time of assessment Gu Jun Sheikh that he would like the subtle details, with past philosophy, he was the first bird paintings cicadas, their style more polished, at the second the first person.
Sheikh for some in the pictograms, shape aspects of the system slightly less in terms of some characteristic charm painter, also positive in the affirmative. If Guardian Society, Zhuang Qi, Ling across the pack, open on behalf of the swan song. a product. Comment Yuan luxuriant growth of bamboo, said, The price also! standard, vivid is also important. Jinming Di Lueqian form, color paintings, but drew much air, so there are wonders, works pretty good.
Yao most in the The concept of God in the painting comment, the commentary after the twenty artists from the Sheikh, another re-appraisal of Gu Kai. His use of of the table, the heart division of good fortune. absolutely, Xiao Yi features a painting. in assessing Sheikh, the focus of his very fine mold features to write characters praised. seems intended to cut. Japan would like scratching, are not lost. Li clothes, dressed up, ready to change to change. straight eyebrow curved temples, and new things. Do not body subtle, more self-Hz before, hh ZTE later, Elephant Man and Mok. Mingxie He said fine handwriting, written characters appearance, aims to resemble the object, although the works of Sheikh wizard in terms of artistically poor little animated caused Johnson, but the wind, Monk Yao said, problems should not be too demanding, vivid, standard air as an art, but although Lueqian, and in the Elephant Man has a special appearance and material should be fully affirmed the achievements. Yao most in the use of shape, God standard, it can be said in the comments of both painting operation principle have flexibility.
in the Tang Dynasty, the painting becomes more prosperous, drawing reviews and more in-depth theoretical research. the one hand, and still inherit Gu Kai Sheikh, most of the sub-painter Yao special assessment, that is, one or two comments of a tradition, such as Yan's The concept of God's paintings in the Tang Dynasty in the further use of assessment at the same time, the relationship between these concepts and the development of the new.
Salmonella Yan Emperor was there when the monks, basically followed the Sheikh, Yao the most. image, shape, God is still the basic concept of his painting and assessment standards. in the comments Zheng law who said: to be water, obtaining the real body. ; brush with good fortune, pen to paper together really. ; Royal Plaza Temple recorded, Hill to be the water, like the system, together true, resemble the standard as an important, and he has put forward the art critics, in particular about exactly like the pictograms at the same time, has recognized the special role of the subjective mind, heart division of good fortune and spiritual heart Ziwu, that good fortune in the process of division but also give full play to the role of the artist's spiritual insights, rather than simply simulate the natural, Santo Domingo flights abroad, heart division of good fortune in the painting suggests the unity of subject and object, situation Infiltration of the law, the only way to ; is not similar to the surface of the object, but the inherent nature of the suit, which is consistent with the object to create the essential features of the painting the image of Valencia, Spain, special fares, this image is the so-called painting, concluded that proposed source of good fortune and the relationship between mind, Chinese painting is a big step forward. shaped the issue with God, focusing on the characters depicted in the image of the shape and the question of God, and good luck with the heart of the source is focused on the way the main object and spirit of the objective relationship between the artist, paintings, clouds, birds and animals, prostitution music, Chinese insects, and other domestic animals. painting impermanence workers to seems to work; division of impermanence, the true for the division. so the measure of a meaning, like a thing, are often transported, in and God will, like Yan, if the drive with the Battle Spirit in the meantime are. hh and knowledge Studies in the bone marrow, self intention was, the workers Mou Creator, the days come. sheets, but have in mind, pass in hand, not knowing it but ran. to the IAC if the document fine, means the interest of law degrees, to non-painting and his ilk are not Ke Deer know it. this income earners, Danjue its true shape, round, special fares from Beijing to Ajaccio, God and the whole, Bingran as if, just before the ear as for Figure . [7]
Bai in this proposed learn to paint the bone marrow (ie, essence) who, since the intention was, that is to carefully understanding the art of the reason, on the other hand, Mou Bai also believes that good fortune to work from day to, that is, learning from nature, natural to, No cut and polished. London Jane Chang can be in the heart of the paintings, passed on the hands, not knowing it but ran. Zhang Mou good fortune to work, but also God will be no thanks, so handy when painting, I do not know it but then . Bai Zhang commended the work of Commenting on the paintings and the Southern, the main is a human being, like objects, pictographs, or the shape of the image of the standards of work, focusing on works with the object bear a close resemblance to the extent, then Tang Zeyi true for the division, with a shape requirements of the concept really works, not only with the person or the image of the shape of things similar to, but also coincide with the nature of the object, so as to achieve ; concept development, reflecting the changes in aesthetics and the Jin and Tang Dynasties and deepens the understanding of things. Five Jing Hao in the The ;, tenor can achieve the essential characteristics of the performance of pine. Jing Hao said, painting the China and solid, respectively, whichever shall be the Chinese and physical properties of the real, if the actual implementation of Huawei, its shape survived the gas, so all those qualities Sheng. Jing Hao is to promote the like into the truth, you like it really, really as a graphical representation of the higher standard, and really like the concept of distinction, and clarify the relationship between the Chinese painting and art criticism has great significance.
Tang Zhang Yan Yuan pen combining the development of these concepts meaning. Zhang Yan Yuan of paintings Six in the mainly refer to the Sheikh Six understanding. Gu Kai stresses to form vivid, Sheikh speaking artistically lively, bone pen, Zhang Yan Yuan put Gu Kai's God backbone, backbone, shape, both in conception and go almost the pen, so the workers who painted more than a good book. [5]
Zhang Yan Yuan to take progressive approach, layers of depth. because the picture is to create the most basic features of the visual image, to a human being like the thing, so he have inherent artistically and Glucosamine. spineless and shape come from? are derived from the conception, conception is the idea of the artist's mental and emotional factors, have a good conception, to make the characters and have the backbone to the shape of the final analysis, also have a good pen, a pen or pen force, performance skills. that is purposive and not a good effort and strokes and techniques, can not convey the contents of conception, and with the calligraphy pen and the same, such as the artist in calligraphy somewhat accomplished, pen force Jin Jian, then the picture of the pen force are among them, so working artists is also a good book. In Zhang Yan far this discourse on the painting's comments and requirements significantly lower than that of Gu Kai's to write to God a more comprehensive , from the like things, the shape of said backbone, conception and a pen, which criticized the notion that new development of the Tang dynasty.
Zhang Yan Yuan of the Theory and Criticism is a major contribution. because Gu Kai, who mainly used form, concept of God comment, Zhang Yan Yuan will be preferred concept to the fore, enhanced commentary on the artist's consciousness content. except said before Zhang Yan Yuan on the backbone, shape of all the accidents in the legislature, also in the use of specific comments on the concept of meaning. If the time talking about paintings that ; Gu Kai of the tracks, tight fresh stretching, circulation over suddenly, adjusting grid Yi Yi, wind galvanotaxis disease, meaning keep pen the first painting was intended to do, so all air also. , and Wind power can increasingly ill, write like a god, one go, The key position in the painting, play a commanding role. He also used when Wu Daozi assessment when the outstanding achievements of the artist to paint the common law.
Zhang Yan Yuan ; the issue, The How? down, although the pen this week ill have the means. If the two-body density known painting, drawing almost be proposed, or the jaw of the away. [5]
that Gu Kai Zhang Yan Yuan, Lu On a careful handwriting dense bodies, and Wu Daozi, Monk Yao is the pen only one or two, but as is to be Yan, despite often missing off the screen where the beauty of this is two, density delivered, pen lack of meaning weeks . MISSING screen surface in some places, is actually the artist intentionally, where these so-called sparse, although the pen was yet to come, but the meaning has come to Italy, including the whole momentum has been painting the cage, so called ;. means the problem can be said Zhou Zhang Yan Yuan Gu Lu Zhang Wu Comments insights when. impact.
full development of the Song Dynasty painting, figures, landscapes, flowers and birds have three mature painting, genre painting also appeared Zhang Zeduan of the At the same time paintings, draw freehand the formation of climate, we can say the glory of Chinese painting of Song Dynasty period. At the same time painting theory, drawing criticism, the history of painting has also been considerable development, such as Guo Xi's Vision and Huapu and criticism of ideas. Image, Meaning, form, criticism of the concept of God, etc., discussed further in the Song Dynasty, and the criticism has been widely used in practice.
Song Xiu is the leader of the literary world, he emphasized the meaning of the painting , and different views on the shape of Difficult issues.
since the for the well-known, artists have painted is not accurate if the small will see through, and human spirits are gone, the artist free to draw its image, it will not be accused of not like. Easy. Ou said that:
truthfulness artist, cloudy spirits and easy to work, to draw to the shape that difficult. the spirits, who have not seen, then to its dismal Wei Yin, Chao Tang and poor odd change very strange, frightened people must see Noir, and Xu may be visual, like the thousand million state of the Italian pen simply enough, is it not difficult zai! [8]
in Ouyang Xiu seems to change over the picturesque painting ghosts Teng and the poor very strange odd, or thousands like million state, is not easy, the problem is to achieve the shape of the problem, there is an atmosphere of bleak background of Yin Wei, as well as dynamic changes in momentum over Proton, is even more important, has painting, it is easy to draw people is difficult to know Jesus? dog horse letter easy to detect, ghosts Hard to know, the world who are ethical, you should know that ghosts are not different from people, and pleasures of the state, although it was not the form of false and management persons, nor indeed Workers also. However, see the world and few reasons, what with the artist when the cable when the Holy of! [9]
Dong wine container clear that even if the painting pleasures, though to shape, if not its reasoning, it is not working , Beijing to enjoy the Quartzville ticket, nor is it a good painting. In addition to the shape of the standard evaluation painting, there is others, that a variant of the human spirits, but also not easy to draw. Dong wine container sigh Most people only know the shape of paintings without knowing science,
Xiu heavy Italy, Dong wine container weight management, stress is something other than the shape. Ouyang Xiu in the carried away proud of the wise few, do not see the poem as if it saw the portrait. metaphysical, carried away, meaning more important than form. of course, is still the basis of shape, Ouyang Xiu in the crosswise looming, Yan ugly support or oppose their own state, nothing can be identified far and near. fashion of the time or the heavier the shape, such as the academy to the dominant style, so he would like to take this ancient commandment, the ancient Italian painting is only one of his ideal state. poem called to convey his ideas on the concept of art form. The purpose, rhyme outside the taste. Tang Lee Si-Chen Dong of true development, said: to seek its addition to the shape of paintings, Hugh complex g Frunze Frunze tickets, not that of Lai Fu Caibing adorned, we look like as you forget, which means the first natural product before it can be drawn in enough work, the military's Huasheng the parties themselves. the person depending on their shape only as artists first met, and who can be compared to God who fine Kam. pen can not be considered fine works of its shape, only we look like as you forget, which means the first natural, to really fine Kam realm of painting. Ouyang Xiu said, make meaning, implication found. see, for example, if poetry does not see the picture,
Bleak, the meaning of this difficult art. was the artist, who may not view knowledge as well. Chisu it flew away, meaning light of the material is easy to see, and leisure and Yan Jing, difficult to form the heart of much interest. If compete with or oppose is, far and near repeat of this painting works of arts Seoul, not those things are fine Kam. [10]
Xiu meaning shallow thing that is easy to see, he called the Italian light thing, that is, the natural thing shape of prominent persons, such as compounds compete with or oppose, repeat distance, fly Chi Su, etc. The painting will be easily identifiable on the screen, this is the painter is. the heart of the so-called hard to shape much interest, that the performance of leisure and Yan Jing, Bleak the mood or state, is not easy, the meaning of this difficult art. Ouyang Xiu tendency to draw a very clear assessment will be obtaining the shape of the thing intended by light, known as painters, and will show much interest in the heart, indifferent to meaning persons, called the fine Kam, who grade higher, more difficult form of pictorial gesture.
Ouyang Xiu Su Shi smaller than the 30-year-old, is the Northern Song Dynasty writer, in verse, poetry, Fu, culture, books, paintings are we, and the Ming and Qing paintings of a great impact. Su Shi of painting is very rich, his painting comments on the form, God, Italy, like other issues has also published many original insights. Su Shi goods on the picture Form and Meaning in views on the issue, may be the impact of Ouyang Xiu.
Su Shi on shape, not the shape, including Chen Shizeng so we all hold this view, by Su Shi's view of scholar painting to explain his paintings thought, the understanding of Su Shi has biases, it has been pointed out that Mr. Nguyen Pu. [11 ] This is the first of Su Shi's poem for the painting as follows:
of painting to the shape, see neighbors and children; poetry poem must certainly not known poet. Poetry and the all, Neat and Clean. edge-luan bird painting, vivid flowers Zhao Chang, where this two, sparse even with clear light. Who made the little red, the solution to send endless spring.
Su Shi's poem, should be fully understood ticket from Beijing to Syracuse. Binhong shape . poem on the painting before the six is the poem's argument, on painting or drawing materials, painting to only the shape as a standard, to see whether the object is similar to painting the same, this is almost looking at the paintings of children, only know the image and look at the paintings an objective that is like, not shown deep into the painting into the views of the deep. If poetry subject only to the shape, rather than seeking for the meaning of King, then he must also be a law of the people do not understand poetry. Sushi Tang and Song Dynasties these ideas really just on the painting, for the love, painting, for the purpose, and poems in emphasis between the lines, King of interest outside the view of the further elaboration of art. ;, is that poetry and painting in the creation of common law that no polish natural Heavenly track to achieve the fresh and pure Lang's artistic conceptions. after the six sides with Luen Tang bird house, bird house Zhao Chang Song of the painting, expressive King of the main features to set off the broken branches, thin two paintings in a good word picture than the king of the thin edge of the main Luan Zhao Chang is better, and good place? Painting a class works fine, careful rigorous, and the king thin is the main but to contain a wealth of meaning, which as the Tang Dynasty poet stresses can not be from a little red in spring scene to see the endless. Su Shi's second poem, the king of the concrete to evaluate the main book for tours of two paintings, we only used to four Virgin. Low Ang branches of birds, among the flowers sway rain. head, ricochet off the vine flowers and shaking the rain, really scenes, interesting. This shows that the Ming Su Shi's comments are more than just the shape of the painting, he painted the image in the perception associated with more meaning and emotion, interest and reason. But quiet thin bamboo painting flowers, birds still have the shape of features in the two poems, we were unable to find the shape of the so-called break, not the shape of the argument. a comprehensive understanding of Su Shi's view, special fares from Beijing to Memphis, it should be He advocated painting can not be limited assessment of the shape of paintings, the shape of both the painting is painting the basic requirements of assessment, but more tasting and art criticism should be seen as the shape for the meaning of painting, for the love, just as from the painting in the , also talk about scenes, meaning, as the aim, then, Ouyang Xiu, Su Shi as a reference to this commentary on the painting paintings, but also must focus not only on the shape of the painting bear a close resemblance to the problem, and to deep into the painting, for the love, shape external we hope. Su Shi, To the degree from the painter, the poet of elegant obtained. Obviously, Su Shi painting in poetry that touched the mood, than the figure Full of exquisite fine engraved bear a close resemblance to the painter to make, the higher aesthetic value.
Ming Dong Qichang in the ; the Ming Dynasty to the Song Dong Qichang Painting Poems of Su Shi's comments as the Yuan Dynasty in the painting, as if the time difference in the fight, the so-called Yuan Dong Qichang painting is it? Ni Zan, who is called , write the chest emotional talk. is to original poem, they really do not understand? my opinion, and Chen Shizeng Dong Qichang personal bias is to read with Su Shi, what they need, and have caused this misunderstanding. Dong Qichang promote north-south two paintings, pushing Chongwang Wei dynasty of the Southern school, so obviously the Su Song's paintings in the contemporary assessment and deliberately said to be painted as per the assessment Bleak, Yat pen hastily. Chen Shizeng utmost in the maintenance of the early 20th century scholar painting, oppose Chen, Kang denied paintings, realistic painting restoration academy argument, so Chen Shizeng poetry of Su Shi, tried to break the shape of the imaginary point of view, to impose Sushi. in fact, and Chen Shizeng Dong Qichang by Su Shi in The poem on the painting for my own use. This shows that, even as the Dong Qichang, Chen Shizeng such a great painter and theorist, as long as the biased, distorted history, would like Sushi the art of thinking of such people. So give up prejudice, it There may be more fair and accurate grasp of the concept of art history, especially the controversial artistic thought. Su Shi also draw some remarks on the concept of scholars quite remarkable, often quoted, that A section:
concept art scholars, such as access to the world of horses, whichever is emotional as that is if the painters, often only take spur fur forage stable slot, no bit Jun hair, the number of Chi Xu will look tired, Evans Virginia special fares. Hanjie painting is also true scholars.
Song Hanjie that Songjahak room, Song Dynasty landscape. Hanjie Su Shi that the painting mountains, neither ancient nor modern, slightly out of new ideas. and that the painting is really Hanjie literati painting. literati painting is like watching Gao access to the world nine square horse, whichever are the emotional, Su Shi used story as an analogy, that scholars enjoy painting, Gao side view of the world as nine horses who can not only look at other items of fur, no point Chun Fat, that is lifeless, so we tired to see several feet.
from If the intent of a view, drawing scholars Sushi is appreciated, while the painters painting the lower rating, and why scholars working gesture painting is good painting? is a painter extract only the skin deep, though exterior shape, but the image is more dull lifeless Barcelona, Spain to study air tickets, and scholars to draw is to take the emotional and often overlooked fur appearances, still interesting flavor. Su Shi respected scholars in this painting, or intended to re-emphasis on form, he is by his teacher Ouyang repair who also has been criticized. Dongpo that no such objective world shaped by constant practice, known as phony and should be disdained.
Song Ouyang Xiu, Su Shi of the largest painting paintings feature commentary is that since the Wei and Jin-shaped form means the development of monotheism theory, to write to God from the development of forgetting as proud. on the intended improvement in the creation of the aesthetic subject is actually the spirit of the artist's role is enhanced. on the meaning of the emphasis has been assessment in the Song Dynasty paintings are more common. We only Guo Ruoxu give a wall was not the King, or wind, even a charm. traveling, Lin stone farmhouse, Mibu Zhen pole, important concepts and artistic standards.
why there will be emphasized Song God, Portrayal, and Emphasis of the theory, mainly refers to the figure, he stressed that not only shape but also the spirit, the spirit of the performance characteristics of the object, which is more than just graphics to write painting that looks, air Chen shape much deeper. However, since the painting started to develop the Sui and Tang, Five Dynasties and the Song bird also been developed, although the figure can be borrowed to evaluate the vivid flowers of vivid, vivid landscapes, but always felt that drawing figure in the evaluation language, it is better to use charm, ideologies, conception, conception, business, etc. to comment. a broader range of meaning, the meaning of the painting, like, for the meaning is the realm of the whole picture and not just limited to the vivid portraits, including landscapes, flowers and birds can be a conception and convey his ideas and that is why the Song stressed that This is still in the initial understanding of the painting. Gu Kai made expressive of the system, understanding the nature of painting a step further ...